Gibbs, J. Glitre, K. , Pye, D. (2025) 'The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code'. Quarterly Review of Film and Video, 42 (1). pp. 157-184. ISSN 1543-5326 doi: 10.1080/10509208.2024.2410530 (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Gibbs, J. (2024) 'Video essay: choosing death row songs'. Music, Sound and the Moving Image, 18 (1). pp. 3-5. ISSN 1753-0776 doi: 10.3828/msmi.2024.2

Gibbs, J. (2023) 'Creative geography, creative connections: Candyman', Movie: a journal of film criticism, 11. pp. 19-21. ISSN 2047-1661

Donaldson, L. F., Gibbs, J. , Purse, L., Pye, D. and Shambu, G. (2022) 'Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism'. Movie: a journal of film criticism, 10. pp. 116-136. ISSN 2047-1661

Gibbs, J. and Pye, D. (2022) 'Le Plaisir: Voices and viewpoints'. NECSUS, Spring '22. ISSN 2213-0217

Cox-Stanton, T. and Gibbs, J. (2021) 'Audiovisual scholarship and experiments in non-linear film history'. The Cine-Files, 15. ISSN 2156-9096

Costa, F. C. and Gibbs, J. (2020) 'Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950)'. Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078

Gibbs, J. (2019) 'Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell'. Movie: A Journal of Film Criticism, 8. pp. 38-71. ISSN 2047-1661

Gibbs, J. (2019) ‘Say, have you seen the Carioca?’ an experiment in non‐linear, non‐hierarchical approaches to film history, Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Gibbs, J. and Reck Miranda, S. (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312

Gibbs, J. and Pye, D. (2018) 'The Phantom Carriage (Körkarlen) (1921)'. In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, J. (2017) 'Opening movements in Ophuls: long takes, leading characters and luxuries'. In: Gibbs, J. and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gibbs, J. and Pye, D. (2017) 'Opening choices: Notorious ', Movie: a journal of film criticism, 7. p. 99 ISSN 2047-1661

Gibbs, J. and Pye, D. (2017) 'The Phantom Carriage: a revaluation' Movie: a journal of film criticism, 7. p. 97 ISSN 2047-1661

Gibbs, J. (2016) Opening movements in Ophuls: Caught (and Madame de …), [in]Transition, 3 (2). ISSN 2469-4312

Gibbs, J. (2012) 'Balancing act: exploring the tone of The Life Aquatic with Steve Zissou', New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: 10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gibbs, J. (2011) 'The Cry of the Owl: investigating decision-making in a contemporary feature film', Movie: a Journal of Film Criticism, 3. pp. 80-93. ISSN 2047-1661

Gibbs, J. (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, J. and Pye, D. (2010) 'Preminger and Peckinpah: seeing and shaping widescreen worlds' In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, J. (2010) 'Sleeping with half open eyes: dreams and realities in The Cry of the Owl'. Movie: A Journal of Film Criticism, 1. pp. 1-17.

Gibbs, J. and Pye, D. (2005) 'Revisiting Preminger: Bonjour Tristesse (1958) and close reading'. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, J. (2001) 'Sequence and the archaeology of British film criticism', Journal of Popular British Cinema, 4. pp. 14-29. ISSN 1461-104X